Stained Glass Tracing

Stained Glass Painting – Stained Glass Tracing

Here’s where you can post your questions about Stained Glass Tracing.

For other questions, please see here:

Note This: for main details about Stained Glass Tracing, please see Parts 2, 3 and 4 of the e-book. There are also many downloadable projects where you will discover more about stained glass painting.

Stained Glass Lettering

Elsewhere on this site, Ivo de Croock from Antwerp, Belgium, mentions that he discovered an article we had written for the US magazine, Glass Patterns Quarterly. It’s all about lettering, and you can find it here.

And Ivo also asks about painting black letters onto stained glass, and how to do this really accurately.

It’s certainly possible to use a computer-generated stencil.

However, it’s certainly also possible to do it by hand. Here, for example, you see some damage to the lettering of a stained glass window in a chapel:


broken

Damaged lettering in a stained glass window


In this instance, we were asked to paint a copy (rather than to use glue to edge-bond the broken fragments). So we removed the glass and took it to our studio.

We set down the lettering with calligraphic precision. We painted an undercoat. We copy-traced the design:


copy-trace

Copy-trace the design with extreme precision


At this point we used a stick to correct tiny inaccuracies. Then we reinforced the lines as you see we’ve started doing here:


copy-trace-by-hand

Reinforce the copy-traced lines


Once again, we used a stick to correct any minor inaccuracies.

Then it was time to fill in the lettering. The paint was thicker and darker than the paint we’d used to copy-trace and reinforce, but, working on such a small scale, it was by no means as thick as the kind of paint we’d use for silhouettes (because, with that degree of thickness, we wouldn’t have had the control that we required).

Once the paint had dried, we picked around it once again:


pick-out

Use a stick to clean up around the edges of your lettering


Once fired, we returned the new lettering to its rightful place:


return

And finally we installed our forgery


 

 

The whole process calls for patience, good eye-sight, concentration, a good understanding of how glass paint behaves, and excellent hand-eye co-ordination.

And time.

{ 2 comments… read them below or add one }

De Croock Ivo July 2, 2009 at 7:22 PM

Hello Stephen,

I’ve just found you new article about lettering on the website belonging to Glass Patterns Quarterly.

For me it is a great help, because I am not very handy in drawing precise letters. This approach is simple, efficient and feels good.

I like very much the alphabet at the end of the article, does it have a name or do you know a scalable file of this lettertype?

Also, do you have a similar approach for black letters on the glass? I know real glass painters do it with their brushes, but is there a way to copy black letters?

All the best,
Ivo

Stephen Byrne July 3, 2009 at 8:30 AM

Hello Ivo,

I’m glad you discovered the article and found it useful. I’m sorry that I don’t know the name of the alphabet, because it was added by the editor of the magazine.

You also ask about painting black letters on glass. A modern way is of course to use a computer to print a stencil onto sticky-back plastic. A traditional way is, as you suspect, to copy-trace by hand, very, very carefully. Then – also very carefully – to use a stick to sharpen lines and remove inaccuracies. Then to reinforce and use a stick again as needed. Then finally to fill in the letters. It requires a lot of concentration, excellent eyesight (or the right prescription glasses) and a steady hand.

There’s more detail right here.

All the best,
Stephen

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